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Residency Applications for 2007 are now CLOSED
Applications for 2008 open in JULY 2007
PERFORMING ARTS
RESIDENCIES IN ASIA 2007

The Asialink Centre of The University of Melbourne invites applications from performing artists to spend an extended period working in an Asian country. Up to ten residencies will be offered in 2007.

This program is an ongoing partnership with the Australia Council and is supported by the Department of Foreign Affairs and Trade and various State and Territory Arts Departments, extending the number and scope of residencies available. Since the program's inception Asialink has sent 406 residents to 242 hosts in Asia. Residencies have taken place in 18 countries: Australia, Bhutan, Cambodia, China, East Timor, Hong Kong, India, Indonesia, , Korea, Malaysia, Pakistan, The Philippines, Singapore, Sri Lanka, Taiwan, Thailand and Vietnam.

AIM
The aim of this program is to broaden the experiences available to Australians in the AsiJapanan region, to develop projects related to the host country and to encourage on-going involvement between Australian and Asian artists and organisations. The residencies are a professional development opportunity for Australian arts practitioners and also act to foster bilateral relationships in the region.

ELIGIBILITY
Residencies are open to all performing arts practitioners who are Australian citizens or have permanent residency status in Australia and who are able to demonstrate a proven record of professional activity over at least three years. Skill areas include directing, playwriting, acting, choreography, dance, musical composition, design, technical production and interdisciplinary
performance. They are not for academic study or research. Former Asialink Residents are eligible to reapply four years following their initial selection – eg. artists who undertook a residency in 2003 or earlier are able to reapply this year for 2007.

EXPECTATIONS
Each residency offers a specific amount of funding and initial contacts in the host country. It is then up to the individual to make as much of the experience as possible and to plan and manage their own program. Flexibility and being able to cope with sometimes unusual or difficult situations are great assets.

The resident's interest in the host country and an understanding of its customs and cultures are very important. Researching the country of interest is essential and language skills are an advantage. It is recommended that successful applicants undertake language lessons prior to departure and in-country.

The resident will be expected to do their own work based on their application and to make a contribution to the life of the host organisation or community. There is a different idea about working space for performers in Asia: that is, discrete space for an individual is not assumed and resources, such as computers, can be scarce. It is hoped that working space of some sort is
available but it is not guaranteed.

To varying degrees the resident will be expected to take part in workshops, seminars, to give talks on Australian performing arts and on their own work.

The resident is encouraged to generate and participate in publicity in the form of interviews and articles both overseas and in Australia. They may also be required to give interviews or talk at forums to promote the program on their return.

FUNDING
A travel grant of up to $12,000 is provided to each resident to assist with airfares, accommodation, living expenses, materials and production costs. Residencies are for three to four months but there is flexibility to undertake a shorter residency (minimum two months) with pro-rata funding. Please include an explanation for why you prefer a shorter residency in your statement.

Once selected it is the resident's responsibility to maintain their own budget and contribute funds if necessary. An amount of up to $2,000 might be required. Asialink's grant can only be used for expenses directly related to the residency and are not for expenditure incurred in the resident's absence, eg. rent or mortgage repayments.

The grant is not considered a salary or a fee. On completion of the residency, the resident must provide a report and financial acquittal and return unexpended funding. Asialink's residency funds are sourced from a range of State and Federal bodies (as listed). Please be aware of the potential for duplication of funding if you have other applications pending.

TIMING
The expected duration of the residency is three to four months. The timing of the residencies is flexible but will need to be negotiated with the host organisation bearing in mind semester times in the case of teaching institutions and extremes of temperature.  It is a funding requirement that the residency be undertaken in 2007. Residencies are not transferable so please do not apply if you think you might not be available.

PERSONAL SAFETY
Residents are responsible for their own health and safety and must obtain property and health insurance cover for the duration of the residency. We advise that residents consult the Department of Foreign Affairs and Trade website (www.dfat.gov.au) about conditions in their host country prior to departure and check official travel advisories throughout their stay. Residents should take all due precautions while overseas and consider returning home or delaying visits where necessary.

COLLABORATIVE RESIDENCIES
It is possible for collaborative residencies to occur either across or within art forms. Applicants can either submit a joint application to share one residency grant or submit individual applications. Applicants should discuss collaborative proposals with Asialink staff.

ACCOMMODATION
Organising accommodation is the responsibility of the resident, however where possible assistance will be provided by the host organisation, the Australian Embassy or High Commission and Asialink staff. Family members can travel with the artist at their own expense as long as the expectations of the residency are fulfilled. Please note however that some hosts offer accommodation that would not be appropriate for families.

HOSTS
Host organisations range from festivals, theatre, dance and music companies to tertiary institutions. Applicants have two options with regard to selecting hosts. They can:

  • Select from the hosts listed here
    Please note that many listed host organisations also have websites and links are provided here, however applicants should not contact these hosts directly until the selection process has been finalised.

or

  • Propose an alternative host
    Applicants do need to make individual contact with these alternative hosts as such self-initiated residencies must include a letter of support or invitation from the host institution attached to their application. Applications are ineligible without this letter.
    Applicants should discuss self-initiated proposals with Asialink staff prior to application.

Applications can be made for one or more hosts and there is space on the cover page for 2 preferences order. If you apply for more than one host you may wish to give individual reasons for your preferences within your statement, but you need only send one application. Any special conditions or experience should be mentioned in your statement.

The countries of residency and host institutions are:

CHINA / HONG KONG
Beijing LTDX Modern Dance Company, Guangdong Modern Dance Company & City Contemporary Dance Company, Hong Kong www.ccdc.com.hk
A unique residency is available for a choreographer to work across China and Hong Kong's leading contemporary dance companies, with ensembles of 14 dancers each, all under the artistic directorship of Willy Tsao. All the companies have toured internationally particularly to Europe and Asia and are well known for commissioning works internationally. The choreographer will have the opportunity to travel to three different companies in Guangzhou, Beijing and Hong Kong. They will be expected to teach various forms of improvisation and contemporary dance with the potential to develop a new collaborative work with one of the companies.

Caochangdi Workstation Art Center, Beijing www.ccdworkstation.com
This Beijing independent art space founded by filmmaker Wu Wenguang and choreographer Wen Hui in 2005, works with performance art, documentary film/video, and video art. Located in Beijing's thriving Caochangdi arts district the performing artists will have the opportunity to engage with local artists around contemporary performances, documentary and video art.

Theatre in Motion (TIM), Beijing www.borderlinefestival.org
Theatre in Motion has been set up to contribute to the development of the contemporary performing arts scene in China. TIM operates by supporting young Chinese talent, through programming international productions in China and vice versa, and by hosting residencies with international artists, preferably within the framework of a co-production. The artist in residence will research and create new work for performance in China, and facilitate and participate in workshops.

MALAYSIA
Rimbun Dahan & Kuala Lumpur Performing Arts Centre www.rimbundahan.org, www.klpac.com
The residency program at Rimbun Dahan seeks to encourage links and the sharing of ideas between artistic communities in Australia and Malaysia. Rimbun Dahan and the Kuala Lumpur Performing Arts Centre will jointly host a resident choreographer who will have the opportunity to create a new contemporary work on local dancers, many with classical training, for a joint performance around June 2007. The choreographer will stay at Rimbun Dahan, located in beautiful garden settings outside of Kuala Lumpur, and rehearse and perform at the new KLPac studios. The choreographer will also need to conduct several community workshops in dance and movement.

SINGAPORE
Theatreworks (72-13 Theatrework), www.72-13.com,
www.theatreworks.org.sg
A converted rice warehouse 72-13 is now the new home of TheatreWorks. This multidisciplinary hybrid space can function as a gallery, a cinema and a theatre. Its primary purpose, through SCAN (Singapore Creative Arts Nucleus) and the ICAA (International Centre of Asian Arts), is to encourage collaborations, house residencies for artists around the world and to encourage hybrid creative expressions. A performing artists working in hybrid and new media arts will have the opportunity to collaborate in this multidisciplinary environment.

Odyssey Dance Theatre www.odysseydancetheatre.com
Founded by Danny Tan in 1999, Odyssey Dance Theatre continues to be the creative voice for contemporary dance in Singapore via its varied series of dance programs and initiatives. A fledging and prolific dance company, ODT has presented 18 successful seasons with overseas performances in Taiwan, Hong Kong, Australia and Malaysia. The company is interested in a dancer/choreographer who can run workshops, and choreograph/perform in one of the company's seasons.

The Necessary Stage (TNS) www.necessary.org
The mission of TNS is to create challenging, indigenous and innovative theatre that touches the heart and mind. TNS is a theatre company, formed in 1987, by their current Artistic Director Alvin Tan. Working with resident playwright, Haresh Sharma, TNS has produced more than 60 original works that have travelled to more than 10 countries. TNS also curates and produces the annual M1 Singapore Fringe Festival (www.singaporefringe.com). They would like a multimedia artist to work with them for their international collaborations.

JAPAN
Future University (FUN), Hakodate www.fun.ac.jp

FUN is a university of Systems Information Science, located in Hakodate, a regional town (pop. 300 000) in Hokkaido. FUN has faculties of Media Architecture and Complex Systems, and is interested in hosting a performing artist working in multidisciplinary collaboration, new media and technology. The artist in residence would be invited to work collaboratively with students and faculty, run workshops and conduct a lecture or performance for the public. Artists applying would need to have the technical competency, resourcefulness and autonomy to produce new work in an unfamiliar environment.

KOREA
Dulsori, Seoul www.dulsori.com

Dulsori, which literally means 'wild beat' was formed in 1984 to preserve traditional Korean drumming and to perpetuate the form in a contemporary context. This energetic and passionate troupe has staged hundreds of international performances and recently toured to Hong Kong, Singapore, Japan, Australia and across Europe. They are interested in a musician (particularly percussionist) who can run workshops and collaboratively develop a new work with them. The musician would have the opportunity to learn traditional Korean percussion and performing arts.

INDIA
Adishakti Theatre Company, Pondicherry www.adishaktitheatrearts.org

Adishakti is a performance company engaged in the research and reanimation of traditional knowledge in theatre, dance, music, movement and craft forms, with a view to creating a contemporary hybrid and performance language. They would like to host actors, dancers, musicians, puppeteers and performing artists willing to interact with the company, and simultaneously pursue their own work. Facilities on their campus include a theatre and performance space, a heritage guesthouse, a wide range of musical instruments and access to multimedia facilities.

Ishara Puppet Theatre, New Delhi www.isharapuppets.com
Ishara meaning gestures, suggestion or a movement, is a contemporary puppet theatre, using actors, puppets and figures. They run workshops in various forms of puppetry for children, adults and theatre groups. They seek to promote the tradition of puppetry through performances and workshops, and are interested in hosting a puppeteer who can run workshops in puppet making, with possible opportunities for working on a small production.


Application Details

CLOSING DATE: FRIDAY 1 September 2006

(Applications must be post marked on or before this day - no late applications can be considered. No faxed or emailed applications will be accepted.)

Criteria for selection:

  • professional experience
  • relevance of the residency for future professional goals
  • ability to carry out the residency and to fulfill expectations
  • potential to apply outcomes of the residency in Australia
  • previous experience in / commitment to working with Asia
Your application should include (in the following order):
  • a cover page [PDF, 60kb, 1 page]
    Please print the cover page directly from the website and fill in your details - do not staple to your application. An html version is available if you are unable to access the PDF.
  • a short (1 page, 550 word limit) statement on why you would find such a residency valuable and what you hope to achieve. Please address the selection criteria. Please note here if you have any other funding applications for this project currently pending or approved.
  • a CV (no more than 2 pages)
  • a letter of support from the host organisation (only if this is your own proposal and not for a listed host)

Support material (Please label)

  • Please submit only one Audio/Visual item of support material in the form of either a video or DVD. In the case of music applications, an audio CD may be submitted instead. CD-ROMS are not accepted. Include a variety of short excerpts that best represent your work from 30sec to 2min in duration to a maximum of 10 minutes. Material over 10 minutes will not be viewed by the committee. Please clearly label your support material and have it cued where necessary.
  • One A4 information page about the excerpts may also be submitted. This should include a short statement on the relevance of the support material to the application

Please note:

  • Extra material is not required at this stage.
  • Your application will be photocopied and sent to the members of the advisory committee therefore please use plain white A4 paper and do not bind or staple the pages.
  • Material will not be returned unless indicated on the front of your application. If you require materials returned please include stamped self-addressed envelope with return postage.

Selection Process:
Applications will be considered in November by the Asialink Performing Arts Committee, which includes artists and arts managers from around Australia in the areas of music, dance, theatre, festivals and touring. Applicants will be advised on the final selection in December.

Enquiries should be directed to:
Swee Lim
Tel: (03) 8344 3581 Fax: (03) 9347 1768
Email: s.lim@asialink.unimelb.edu.au
Website: www.asialink.unimelb.edu.au/arts

Applications should be sent to:
Asialink Performing Arts Residency Program
Asialink Centre
The University of Melbourne
Vic 3010

The Asialink Residency Program is supported by: The Australia Council for the Arts, Arts Victoria, Arts Queensland, artsACT, Arts WA, Arts NT, Arts SA, Arts Tasmania, Arts NSW, and the Department of Foreign Affairs and Trade, through the Australia-Indonesia Institute, Australia Korea Foundation, Australia-India Council, Australia-China Council, the Australian High Commission in Malaysia and the Australia-Thailand Institute.


Asialink residencies are also available in:

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