Literature Past Residents - Japan
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Paddy
O'Reilly (1997)
Paddy O'Reilly from Victoria is currently
working on her first novel, which she researched during her four
months based at Tamagawa University, Tokyo, in 1997. Short stories
written during this residency have also been published in a number
of journals including Meanjin. O'Reilly has translated Japanese
plays and worked in theatre in Japan. She is a lecturer in Japanese
at Swinburne University.
Paddy O'Reilly's residency was supported
by Arts Victoria and the Japan Cultural Program, Department of Foreign
Affairs and Trade.
"This trip added a whole new dimension
to my understanding of the country, a whole world of nuances and
shifts within Japanese culture; it was unique." Paddy O'Reilly,
Report, 1997 |
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Rebecca
Edwards (2000)
Rebecca
Edwards is a poet from Queensland who is quickly making her
mark on the Australian poetry scene. She has published Eating
the Experience and Scar Country was released in
2000. Edwards' award-winning work is also in various journals
and anthologies including the Oxford Anthology of Australian
Verse and Two Hundred Years of Australian Poetry.
She has had a long association with Japan, speaks Japanese
and was hosted by prestigious Keio University, Tokyo, where
she taught a course on Australian culture. She used her residency
to develop ideas and research for a collection of poetry set
in Japan and also held an exhibition of her art work at a
commercial gallery in Tokyo. Edwards' next book will be Holiday
Coast Medusa.
Rebecca Edwards' Asialink Residency was supported by Arts
Queensland and the Japan Cultural Program, Department of Foreign
Affairs and Trade. |
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Matthew
Condon
Matthew Condon is a novelist and journalist
who lives in Queensland. He is the author of ten novels and story
collections, including A Night at the Pink Poodle, winner
of the Steele Rudd Award for Short Fiction. Condon has written for The Sydney Morning Herald, The Sunday Age and other
leading newspapers, magazines and journals. Travelling to Tokyo
and Hiroshima, Condon will conduct in-depth research for a novel
based on the life of the controversial Australian journalist Wilfred
Burchett. Burchett was the first western journalist to go into Hiroshima
after the atomic bomb was dropped and file a first-hand report on
the devastation. Condon's novel will hinge on Burchett's journey
into Hiroshima, his quest for the truth and at times "skewed
political fanaticism".
Funded by the
Australia Council and Arts Queensland. |
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Anthony
Lawrence (1998)
Anthony Lawrence is an award-winning Tasmanian poet whose publications
include The Viewfinder (winner of the NSW Premier's Award
for Poetry 1997), Cold Wires of Rain, The Darkwood Aquarium and Skinned by Light: New & Selected Poems. Picador recently
published his first novel, In the Half Light, to much critical
acclaim. On his residency in Japan Anthony worked on a long sequence
of poems inspired by the life and work of the novelist Yukio Mishima
and was hosted by Akiyoshidai International Art Village in Yamaguchi
Prefecture.
Anthony Lawrence's Literature residency was supported
by Arts Tasmania and the Japan Cultural Program, Department of Foreign
and Trade. |
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Gillian
Rubinstein (1999)
Gillian
Rubinstein is one of Australia's best known writers for young people.
She is the author of nearly 30 books, including the best-selling Space Demons trilogy, and the award-winning Beyond the
Labyrinth and Foxspell. Rubinstein has also written 8
plays, the most recent, Wake Baby, touring internationally.
She has a long-standing interest in Asia and returned to Japan in
1999 on a residency to work on a historical fantasy novel based
on Japanese history and culture.
Gillian Rubinstein's Literature
Residency was supported by Arts SA and the Japan Cultural Program,
Department of Foreign Affairs and Trade.
I would never have been able to
do as much on my own, and found that the residency opened doors
and created opportunities for me that I will be able to build on
in future visits. Just showing my business card with the Asialink
logo on it gave me immediate credibility in all sorts of situations. Gillian Rubinstein, Literature Residency Report, 1999 |
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John
Mateer
John Mateer was born
in South Africa, lived in Perth for many years and is now based
in Melbourne. In 2001 he won the Victorian Premier's Literary Award
for Poetry. His publications include Loanwords, Barefoot Speech,
Anachronism and Burning Swans all published by Fremantle
Arts Centre Press. Mateer has also taught poetry and creative writing
at tertiary institutions and has contributed to many journals and
anthologies. During his residency in Japan Mateer will research
the history of Shinto which will form the basis for a book-length
sequence of poems.
This Asialink residency is supported by Arts
Victoria and the Australia Council.
John Mateer will be in Japan from September
2002. |
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Keith
Thompson (1999)
Keith Thompson,
from Sydney, is an award-winning TV screen writer for popular programs
such as Halifax F.P., Wildside, and G.P., and
episodes of Seven Deadly Sins. He has also been a producer
and script editor for numerous films and TV programs and taught
screenwriting. In Japan Thompson researched an original feature
film screenplay about the surprisingly close relationships that
developed between Australian soldiers and the local Japanese in
Hiroshima during the occupation.
Keith Thompson's literature
residency was supported by Arts NSW and the Australia Council. |
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Paola
Bilbrough (2001)
Paola
Bilbrough was born in Waiheke Island, New Zealand and now lives
in Melbourne. In 1999 her first collection of poetry, Bell Tongue,
was published by Victoria University Press. Her poetry, fiction
and reviews have appeared in literary journasl such as Heat, Cordite,
Imago, Westerly, The London magazine Stand, Landfall and Sport,
and her work has been widely anthologised. Her second collection
of poetry Erosion is due to be published in 2002. During
her residency in Japan Bilbrough was hosted by Keio University in
Tokyo where she designed and delivered weekly lectures for 'Australian
Text & Culture', a course looking at Australian culture through
the mediums of literature, newspaper items and film. She also worked
on her first novel, The Currency of Beauty, set in Prague,
Warsaw and Kobe just prior to WWII. While in Japan she was able
to verify and expand her work through reading newspapers from the
1930s, talking to people, looking at a huge quantity of photographs
and visiting historical buildings such as temples and shrines. During
the residency she revised the whole manuscript and wrote about 25,
000 new words.
The residency was of
great benefit to me on a professional, creative and personal level.
I cannot say enough good things about my time in Japan: I feel pleased
with what I achieved there and what the grant enabled me to do on
numerous levels. It was an extraordinarily useful and productive
time and because of the connections I made over the course of the
residency, there is a high likelihood that will live in Japan again
at some point in the future.
Paola Bilbrough's Asialink residency was supported by Arts Victoria,
the Australian Embassy, Tokyo and the Australia Council. |
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Caroline
Shaw (2001)
Caroline Shaw
is a crime fiction writer from Victoria. She is currently in the
early stages of writing her third crime novel in a series featuring
Lenny Aaron - a private detective and a woman obsessed with Japan.
Through her Japanese psychologist Lenny has discovered Buddhism,
Bonsia and Kendo. In the new book (tentatively titled The Pillow
Book of Lenny Aaron) Lenny will travel to Japan to investigate the
disappearance of an Australian English conversation teacher. Along
the way she will, of course, solve a murder investigation. Shaw
intends to use her time in Japan to re-familiarise herself with
day to day life in a Japanese city. Her aim is to discover the things
that cannot be found in the Japanese/English dictionaries or in
the guide books: local customs, vernacular Japanese, attitudes.
She will be spending her research period soaking up the weirdness
that is Japanese TV, talking to ordinary Japanese people, prowling
the streets for 'real-life' detail and, hopefully, getting close-up
and personal at the Sumo.
Caroline Shaw's Asialink residency
is supported by Arts Victoria and the Australia Council. |
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Maxine McArthur
Maxine McArthur was born in Brisbane in 1962. In
1980 she went to study in Japan, where she lived for sixteen years.
She now lives in Canberra with her family and works at the Australian
National University. Her first book, Time Future, was the winner
of the prestigious 1999 George Turner Prize for best unpublished
science fiction/fantasy novel, and was published by Warner that
year. The sequel, Time Past, will be published in Australia and
the US in 2002. She is currently working on a crime novel set in
1990s Japan. While on a residency in southern Japan at Akiyoshidai
International Art Village, McArthur plans to work on a novel about
a painter who lives in an imaginary society that incorporates elements
of Japanese and Chinese art and culture. This Asialink residency
is supported by Arts ACT and the Australia Council.
Maxine McArthur will be at Akiyoshidai International
Art Village from November 2002. |
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Noreen
Jones
Noreen Jones lives in the south west
of Western Australia and writes social history. Her book, Number
2 Home - A Story of Japanese Pioneers to Australia, was published
in 2002 by Fremantle Arts Centre Press. The book is the result of
six years research which included meeting and interviewing many
of the pioneer Japanese residents about their family stories. During
her Asialink residency in 2003, Jones will expand her current project
which describes the adventures and observations of the first known
Australians to visit Japan. She will visit Hokkaido where the crews
of two whaling ships contacted Ainu and Japanese in the early nineteenth
century. Jones will also travel to Nagasaki where one of the ship's
crew was detained.
Funded by Arts
WA. |
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Meredith
Mckinney
Meredith McKinney is a professional
literary translator who is fluent in Japanese. In 2002 she received
a Doctor of Philosophy of Asian Studies form the Australian National
University. She has worked on four books of published translations
and is currently a lecturer and tutor in Japanese and Asian Literature
at the Australian National University. Whilst on her residency in
Japan she will undertake two projects. For the first project, McKinney
will create a book on the poetry and prose of Australian poet Judith
Wright. She will work with Professor Sakai Nobuo of Tezukayama University
in Osaka to translate the book into Japanese. The second project
is a translation of the tenth century Japanese literary classic The Pillow Book. McKinney has a contract with Penguin Classics
to complete this translation by mid 2005.
Funded by the Australia Council. |
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Marele
day
Marele Day is an award-winning
writer whose previous work experience ranges from fruit picking
to academic teaching. She has travelled extensively, lived in Italy,
France and Ireland, and survived near shipwreck in the Java Sea.
A contributor to numerous anthologies, Marele is the editor of How
to Write Crime (Ned Kelly Award, 1996) and has written a guide,
Successful Promotion for Writers. Her novels include the Claudia
Valentine mysteries - The Life and Crimes of Harry Lavender, The
Case of the Chinese Boxes, The Last Tango of Dolores Delgado (Shamus
Award, 1992) and The Disappearances of Madalena Grimaldi. In 1997
her bestselling literary novel, Lambs of God, was published to acclaim
in Australia and overseas. She has also published a collection of
crime-comedy stories, Mavis Levack, PI, and most recently, Mrs Cook:
The Real and Imagined Life of the Captain's Wife. Marele presents
courses in both the craft and the business of writing and mentors
emerging writers. She first visited Japan in 2002 on a promotional
tour, and is returning to work on a novel that features the ama,
female deep-sea divers of Japan.
Supported by the Australia
Council. |
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Christie
Nieman
After her 2003
play Call Me Komachi was a hit at Melbourne's fortyfivedownstairs,
receiving wide acclaim, an extended sell-out season, and a
Green Room Award Nomination for Most Innovative Drama, Christie
Nieman ran away to Sydney to take up an Australian National
Playwrights Centre writer-in-residence position. Her script
Frog Rocket was written and professionally produced in her
time there and now back in Melbourne she is developing her
first novel, as well as her shadow puppet playscript Swish
produced at Polyglot Puppet Theatre. Nieman plans to use her
residency in Japan to research Kaidan, Japan's traditional
scary stories, and also the figure of Lafcadio Hearn, a western
man, a real global citizen living in Japan in 1875, and one
of the first writer/transcriber of a book of Kaidan.
Supported by the
Australia Council. |
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