Asialink
Japan Dance Exchange, 2005-2006
Neon
Rising
Australian
dance artists create an intricate tapestry of works with their
Japanese counterparts
Asialink,
in partnership with the Dance Board of the Australia Council,
has selected five outstanding Australian choreographers to
develop new collaborative works in Japan over the next two
years. The successful choreographers: Kate Denborough,
Sue Healey, Jo Lloyd, Tess
de Quincey and Leigh Warren and
Dancers will collaborate with an exciting mix of
Japanese choreographers, dancers, designers, architects, screen-based
and new media practitioners. |
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Photographer
Tatsuo Nambu
Niche/Japan a work by
Sue Healey produced by
Aichi Arts Centre, 2002. |
Projects
range from the development of a dance video to dance performance/installations
to multimedia presentations in Australia and Japan. This program
celebrates and extends the rich relationships established between
Australia and Japan, and will culminate during 2006 the 'Year of
Cultural Exchange' between the Australian and Japanese governments.
This
Program is supported by the Australia Council, Arts Victoria, NSW
Ministry of the Arts, Critical Path and the Bank of Tokyo-Mitsubishi
Japan SA Award through Arts SA.
Neon
Rising Projects
Building upon the success of the company's tour in Japan in 2004,
Leigh Warren will return to Tokyo to choreograph,
direct and design a production Wanderlust with Japanese
choreographer Uno Man and screen media designer Tetsutoshi Tabata.
Wanderlust will use dancers and multi-disciplinary artists
from Australia and Japan. In 2005 Leigh Warren and two dancers from
Leigh Warren & Dancers (LWD) will travel to Japan to work with
the Japanese artists. In 2006, Wanderlust will be presented
in three Japanese venues and three Australian venues.
Kate
Denborough with dancer Gerard van Dyck will return to Osaka
to further develop the work Ink with Japanese dancer Shigemi
Kitamura and video artist Kyota Takahashi. Ink is a collaborative
physical and visual performance feast. The work is inspired by the
notion of indelible and unforgettable memories and uses the irreversible
nature of tattooing as its reference point. Developed in partnership
with presenter Dancebox in Osaka, it will feature everything from
pens, Japanese calligraphy to onstage tattoo artists and will be
presented in Japan and Australia in 2006.
Jo
Lloyd and Melbourne designer Shio Otani will collaborate
with multi-media art collective Nibroll. Lloyd, who worked with
Nibroll through her Asialink residency in 2004, will work with Nibroll
artistic director Mikuni Yanahara, video artist Keisuke Takahashi
and composer Yuki Kato to create Public=un+Public, a new
dance performance installation exploring public and private behaviour
and the linkages between the two cultures. Public=un+Public
will be presented at BankART 1929 in Yokohama in 2005, in New York
in November 2005 and in Australia in 2006.
A
new dance-video project Will Time Tell? will be created
by Sue Healey and cinematographer Mark Pugh. This
series has a focus on time and timing - an investigation into the
puzzles and paradoxes of this slippery subject. The work will involve
a collaboration between two Japanese and two Australian performers.
A site specific installation work will also be created and performed
in both countries.
Tess
de Quincey, who introduced the Japanese based Body Weather
dance philosophy and methodology to Australia in 1988, will return
to Japan to reconnect with Japanese choreographer Min Tanaka. She
will also work with Australian musician Jim Denley to collaborate
with artists in the fields of dance, new media and music. In particular
they will be developing a working dialogue with vocalist Ami Yoshida
as well as with musician Otomo Yoshide who are both pivotal figures
in Japanese contemporary music.
Enquiries:
Swee Lim
Performing Arts Program Manager
(03) 8344 3581
s.lim@asialink.unimelb.edu.au
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